Then I added a single layer of tone using the side of the pencil, pressing lightly so the paper grain was preserved. The hair was darker than the skin, creating its own tonal shape. I started by drawing out broad tonal shapes for the shadows on the skin and behind the head. This stage saw the first layer of tone added to the drawing. Resist the urge to put down any extra detail at this point too. Don’t worry about the contours being absolutely perfect, as we will be able to adjust them later. To do this, I compared how things align horizontally and vertically, and checked the angles between different features. Using the armature of the previous step as a guideline, I drew the facial features and tried to get a bit more precise with the shape of the head.Īt this point it is important to be sure that everything is placed accurately, as we are still using a hard pencil and pressing very lightly. Below the hairline, I split the face into thirds for the eyebrows, nose and chin, with another marker for the mouth. I then checked the overall shape of the head, made lines for the centreline of the face, and marked out the proportions. I referred to my thumbnail to work out where to place the head. I started by working with a harder HB pencil while being very light with my marks these need to be easy to adjust in order to fix proportions. Similarly, positioning the head further up the page tends to look better than dead centre. For a three-quarter view like this, it tends to look better when there is more space in front of the features. With portraiture, it is important to consider the space around the head. With these thumbnails, I was trying to decide between two different poses, and how I wanted to place the head on the page. Taking 10 minutes to sketch out some rough ideas will save a lot of pain later on. Planning is the first step in any long effort, be it drawing or painting. Read more: best pencils for sketching Step-by-step guide to drawing a portrait in pencil 1. Seawhites 220gsm heavyweight cartridge paper, A4.Mars Lumograph pencils, sizes HB, 2B, 4B, 6B, 7B and 8B.Applying pencil marks in creative ways helps inject style and avoid a “photographic” look, whilst maintaining likeness. What follows is quite a tight drawing, but I tried to balance this with some character in the marks and edges. By working with a light touch and adding lots of layers, I was able to erase the graphite more easily. To keep things naturalistic, I’ve avoided hard outlines, and have erased or covered any construction lines. It is very tempting to focus upon an interesting corner of the portrait and neglect the rest of the drawing.Īs you will see, as I work through the features of the face, I am still generally thinking about the head as a whole subject, so all aspects of the portrait develop together. Longer drawings require some extra pacing and planning the aim is to take things slow and stick to the process. In this guide, I want to show you the process of creating a long-form portrait drawing, taking a straightforward approach in pencil. Link copied to clipboard Lancelot Richardson shows how to draw a portrait in pencil, using careful soft layers to achieve maximum detail and impact
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